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KILL MOVE PARADISE Post-Show Discussion Performance Series
...and the Goodman Theatre—is a national acting competition open to high school freshman, sophomores, juniors, and seniors. The goal of the Chicago competition is to promote literacy by encouraging the...
...We may also release information when it’s release is appropriate to comply with the law, enforce our site policies, or protect ours or others’ rights, property or safety. However, non-personally...
...in a hat, the seed money for a new theatre company. On December 2, TimeLine Theatre Company is officially incorporated as a not-for-profit company in the state of Illinois. On...
...to society today. For more information about institutional giving opportunities, please contact Director of Donor Engagement at (773) 281-8463 x126 or rosie@timelinetheatre.com. TimeLine is proud to recognize these corporations, foundations...
...received visitors. With the permission of the exhibition manager, eight physicians privately examined Afong Moy’s feet, and published an article titled “Manners and Customs in the East” in Parley’s Magazine. March...
...page. Back to top How do I select my seats? We are a general admission theatre, so seating is first-come, first-served. The theatre opens for seating approximately 30 minutes before...
...venue. These venues and their performers, backstage crew, and staff will comply with vaccination requirements and testing protocols to further ensure the safety of all guests and company members. This...
...yet quite comfortable attending in person. We’re extraordinarily grateful for your patience, your continued support, and your compassionate curiosity about TimeLine’s well-being. Please know that TimeLine will continue to honor...
...the teens the importance of taking care of themselves, connecting them with resources within the community, and finding and using their voices. I worked with the ensemble on Social Emotional...
...the teens the importance of taking care of themselves, connecting them with resources within the community, and finding and using their voices. I worked with the ensemble on Social Emotional...