Productions & Events featuring Elle Erickson

A hopeful and moving story of loss, love, and the power of faith.

At the dawn of the millennium in a darkened church in northern Uganda, the daughter of American missionaries and a local teenage girl prepare to exchange vows in a secret, makeshift wedding ceremony. But when the brutality of the war zone around them encroaches on their fragile union, the two are faced with a reality they cannot escape. Confronting the religious and cultural roots of intolerance, Cardboard Piano explores violence and its aftermath, as well as the human capacity for hatred, forgiveness, and love.

Cardboard Piano premiered as a part of the Humana Festival of New American Plays in March 2016. The Louisville Courier-Journal called it “haunting,” writing that “this promising playwright’s story suggests a power in facing the damage done and picking up the pieces to inform each step forward.”

Cardboard Piano includes incidents of stage violence, gunshots, water-based theatrical haze, and flashing lights. If you would like more information, please call the Box Office.

A powerful and poignant drama about two sisters trying to reconnect after years of separation brought on by the rise of the Nazis.

In New York City in 1946, a daughter and her father, Rose and Mordechai Weiss, have adapted to life as new Americans after escaping Poland before World War II. In their escape, they were forced to leave behind Rose’s sister Lusia and her mother. When Rose and Lusia are reunited, Rose tries to engage with an older sister who, having survived the horrors of war overseas, now seems a stranger. And Lusia—haunted by vivid memories of her past—struggles to connect with a family she barely knows. A Shayna Maidel explores family, faith, and forgiveness inthe pursuit of a better future.

Written in 1984, A SHAYNA MAIDEL was widely produced by America’s leading regional theaters and became a long-running success Off Broadway from 1987 to 1989. The New York Times called the play “a tribute to the sustaining power of family,” the Hartford Journal Inquirer hailed it as “an emotional powerhouse,” and the Atlanta Constitution raved that “anyone who sees it will not soon forget it.” The Chicago Reader underscored the play’s fit with TimeLine’s mission, describing it in a 2002 review as “history as intimate as a snapshot.”