Productions & Events featuring Vivian Knouse

Named one of the “100 plays of the century” by the Royal National Theatre, Githa Sowerby’s rarely produced family drama is a smart and absorbing twist on a woman’s “place” in a male dominated society.

In the industrial north of England in 1912, the patriarch of the Rutherford family has spent decades building a respected glass works company to pass on to his children, without any say from them. Caught between passion, purpose, and expectation, John, Richard, and Janet struggle to break free from an oppressive and narrow-minded father dead set on writing their stories himself. Less entangled by these family expectations and with ambitions to give her son the life he deserves, John’s young wife Mary is determined to upend the cycle, whatever it takes.

Playing on the conventions of the period with wit and creative edge, Rutherford and Son is a play ahead of its time, asking us to question if our “place” in life should be anything but what we ourselves determine it to be.

The estimated run time is 2 hours and 10 minutes, including one intermission.

A captivating tale about the intersection of family, responsibility, and progress at the height of the Civil Rights Movement.

Bowzie Brandon, his wife Evelyn, and their best friends Tony and Sally-Mae see happiness on the horizon when Bowzie gets a scholarship to attend college and improve his family’s life. However, when the opportunity to become a Freedom Rider arises, Bowzie leaves his obligations as a husband and friend behind to join the fight against racism in the Deep South. TOO HEAVY FOR YOUR POCKET is a powerful look at the tenuous balance between security and risk, the bonds of love and friendship, and the personal cost of progress.

Playwright Jiréh Breon Holder was recently named one of “Tomorrow’s Marquee Names, Now in the Making” by The New York Times. Previously seen at Atlanta’s Alliance Theatre and in an extended Off Broadway run at Roundabout Theatre, TOO HEAVY FOR YOUR POCKET was the recipient of the 2017 Laurents/Hatcher Foundation Award. Hailed “an exceptional work, one that will dive-bomb into your head and your heart” (Talkin’ Broadway) and a story “that examines life on both the margins and at the epicenter of historic change” (Stage Left), this stunning play “brings the early civil rights movement up close and personal” (Deadline).

Runs approximately 2 hours and 30 minutes, including one intermission

This glorious, raw, and bittersweet look at one of opera’s most formidable talents was the Tony Award winner for Best Play in 1996.

Witness a master class conducted by legendary opera diva Maria Callas. Glamorous and demanding, Callas critiques and regales a new crop of opera’s finest. Both frustrated and amazed by the students thrust before her, she escapes into recollections of the glories and failures of her past, remembering her rise as one of opera’s biggest underdogs. This authentic and musically rich Master Class presents a portrait of a fading star who refuses to be anything but unapologetically herself.

TimeLine’s production stars Company Member Janet Ulrich Brooks, a six-time Jeff Award nominee for roles at TimeLine (including 33 Variations, A Walk in the Woods, and All My Sons), where she mostly recently appeared last season as Queen Elizabeth II in The Audience.

“Everything in the world, that all just rushing right past you, like you a signpost stuck straight in the ground.”

Inspired by true events, this compelling new play exposes a flawed law enforcement operation that walks the line between good intentions and deceit, testing the bonds of a family and community. In a low-income, residential neighborhood of Milwaukee, Terry Kilbourn has just begun a new job passing out flyers for a discount warehouse. When his bosses start asking more of him, the stakes rise quickly and his loved ones begin to question what is really going on. This play’s vibrant mix of family, romance, and danger swirls with mysteries about who to trust and what to believe. And its story confronts society’s fluid definition of justice—and the truth about who benefits from it.

This world premiere is the first play to be produced that was written and developed through TimeLine’s Playwrights Collective, launched in 2013 to support Chicago-based playwrights in residence and create new work centered on TimeLine’s mission.

“Leave behind the stranglehold of convention and loosen your corset, you will breathe much better.”

This intimate and humorous story of awakening, equality, and the need for connection was a finalist for the Pulitzer Prize for Drama and a Tony Award nominee for Best Play. It is the 1880s and Thomas Edison’s invention of the electric light has begun to change the fabric of daily life. Inspired by Edison’s discovery, scientist and inventor Dr. Givings experiments with a piece of machinery to treat the increasingly common affliction of female hysteria. When he starts to see a new patient regularly, his wife’s curiosity with the invention and what occurs “in the next room” grows, leading to discoveries of her own. Don’t miss this entertaining night of self-discovery which shows that human connection is not simply a means to an end, but a vital part of life itself.

TimeLine presents a new and rare staging of this exquisite, internationally acclaimed play about love, math, and how the past and future connect. In 1913, a clerk in rural India named Srinivasa Ramanujan sends a letter to famed mathematician G.H. Hardy, filled with astonishing mathematical theorems. In the present, a math professor and a businessman fall in love. Told in a mesmerizing whirlwind of vignettes spanning history and time, A Disappearing Number is a love letter to numbers, blending the beauty of everyday relationships with the mysticism of the cosmos.

Winner of the 2007 Critics’ Circle Theatre, Evening Standard, and Laurence Olivier awards for Best New Play.

“Do you think girls are smart enough to run a country?” … “Girls are smart. They just aren’t legal.”

Katherine Parr has just been crowned the sixth wife of King Henry VIII. In the process, she’s started an illicit affair, inherited three children, and begun her own political career. Now’s not the time to lose her head. The Last Wife is a bold and contemporary return to Tudor England that confronts issues as relevant today as they were 500 years ago.

The personal and the political collide in this powerful and timely drama—already a hit in New York and London—from one of the country’s most exciting playwrights (“[she] knows the code for getting under our skins” raves The New York Times). A tough, independent woman in Brooklyn is visited by her father, a former revolutionary in the Black liberation movement who seeks to mend their broken relationship. As father and daughter circle one another, old wounds are revealed, generational differences exposed, and blazing truths laid bare. Morisseau’s smart, entertaining and moving story about family, survival and the nature of liberation is “not only dynamic, it’s dynamite” (The New York Times).

From the Emmy Award-nominated head writer of The Laramie Project, acclaimed as “a pioneering work and a powerful stage event” by Time magazine. This can’t-miss theatrical event goes beyond the headlines to tell vivid personal stories from all sides of the country’s greatest environmental disaster.

Acclaimed as a “rip-roaring, grit-your-teeth production” (Chicago Sun-Times), “a refreshingly political piece” (Chicago Tribune) and an “urgent, cinematic, and breathlessly intense … dose of thinking theater” (Stage and Cinema), this show is a political conspiracy thriller (based on true events) in the vein of House of Cards, Kill the Messenger and All the President’s Men.