Productions & Events featuring Jason Lynch

An historic night at the Oscars.
A dream of what could have been.

Set on the night in 1940 that Hattie McDaniel made history at the Oscars, a story of dreamers striving to overcome considerable obstacles and fighting for recognition amidst the racism and inequity of Hollywood.

IT IS FEBRUARY 29, 1940, the night of the Academy Awards in Hollywood, California. Bartender Arthur Brooks, an ambitious Black man from rural Alabama, dreams of becoming a movie director. His best friend, Dottie Hudson, is a maid at the Ambassador Hotel who finds herself to be a cynic of all dreams. When the actress Hattie McDaniel stops in at the bar and decides not to attend the biggest event in show business, Arthur and Dottie do everything in their power to convince her to go and claim her historic win—while confronting their dark past and making their own dreams come to life.

This play about race, class, gender, and the ever-changing landscape of Hollywood has previously had public readings at The Echo Theatre Company (featuring TimeLine Company Member Mildred Marie Langford) and Morgan-Wixson Theatre’s New Works Festival. TimeLine’s production is its world premiere.

Boulevard of Bold Dreams runs 1 hour and 40 minutes with no intermission

Kill Move Paradise closed its theatrical performance run on March 12 due to the COVID-19 pandemic. However, due to the incredible cooperation of artist unions, Dramatists Play Service, and playwright James Ijames, we can now offer a limited number of opportunities to see the show from the comfort of your home, with a week to watch at a time convenient for you, by streaming a previously filmed performance, edited to provide close-ups and full coverage of the staging. If you are a TimeLine Subscriber, you can use your FlexPass admissions as usual for remote viewing. A limited number of remote viewing tickets are also available for the general public.

About Remote Viewing

Described by playwright James Ijames as “an expressionistic buzz saw through the contemporary myth that ‘all lives matter,’” this The New York Times Critic’s Pick play is a powerful and provocative reflection on recent events, illustrating the possibilities of collective transformation and radical acts of joy.

Torn from the world they know without warning, Isa, Daz, Grif, and Tiny discover themselves stuck in a nebulous waiting room in the afterlife. While balancing the reality of their past and the uncertainty of their future, their souls try to find peace from senseless action and hope in the life they left behind.

Inspired by the ever-growing list of slain unarmed black men and women, Kill Move Paradise is a portrait of those lost—not as statistics, but as heroes who deserve to be seen for the splendid beings they are.