Productions & Events featuring Gianni Carcagno

An historic night at the Oscars.
A dream of what could have been.

Set on the night in 1940 that Hattie McDaniel made history at the Oscars, a story of dreamers striving to overcome considerable obstacles and fighting for recognition amidst the racism and inequity of Hollywood.

IT IS FEBRUARY 29, 1940, the night of the Academy Awards in Hollywood, California. Bartender Arthur Brooks, an ambitious Black man from rural Alabama, dreams of becoming a movie director. His best friend, Dottie Hudson, is a maid at the Ambassador Hotel who finds herself to be a cynic of all dreams. When the actress Hattie McDaniel stops in at the bar and decides not to attend the biggest event in show business, Arthur and Dottie do everything in their power to convince her to go and claim her historic win—while confronting their dark past and making their own dreams come to life.

This play about race, class, gender, and the ever-changing landscape of Hollywood has previously had public readings at The Echo Theatre Company (featuring TimeLine Company Member Mildred Marie Langford) and Morgan-Wixson Theatre’s New Works Festival. TimeLine’s production is its world premiere.

Boulevard of Bold Dreams runs 1 hour and 40 minutes with no intermission

A cutting yet humorous behind-the-curtain drama that examines pervasive racial dynamics within the American theatre and the tolls of superficial representation on stage.

ACCLAIMED BY THE NEW YORK TIMES as “a rich, unsettling play that lives up to its title [and] lingers in one’s memory long after its conclusion.”

At a Broadway theater in New York City in the mid-1950s, a group of actors has gathered for their first day rehearsing a new play called Chaos in Belleville, an anti-lynching Southern drama. But as the cast rehearses, tensions flare between Wiletta, the Black actress in the starring role, and her white director about his interpretation of the play. What emerges is an explosive investigation of interracial politics and the need for a cultural shift in theatre and America.

Written by Alice Childress—the first Black woman to have a play professionally produced in New York City—Trouble in Mind recently enjoyed an acclaimed Broadway production nominated for four 2022 Tony Awards, including Best Revival of a Play. The critics raved that this “masterpiece of astonishing power” (New York Magazine) is “the play of the moment” (The New York Times) and “will take your breath away” (Associated Press).

PLEASE NOTE: TimeLine is currently requiring mask-wearing to attend. These protocols are subject to change as the pandemic evolves. For the most updated information about TimeLine’s Health & Safety policies, click here …

Trouble in Mind runs 2 hours, 15 minutes including one intermission

Based on the true story of Leone Baxter and Clem Whitaker, who formed the first political consulting firm in U.S. history, Campaigns, Inc. is a hysterical and jaw-dropping inside look at the underbelly of politics through the lens of two of the undeniable founders of “fake news.”

IT IS 1934, and famous novelist Upton Sinclair is all but guaranteed to become the first Democratic governor of the state of California—until a young, unknown pair of consultants from the shadows of the challenger’s campaign attempt to take him down. As Frank Merriam and Sinclair battle it out in the spotlight—seeking endorsements from the likes of Charlie Chaplin and FDR—Baxter and Whitaker work behind-the-scenes to methodically construct one of the most spectacular, unbelievable, and star-studded smear campaigns ever.

This world premiere play was developed through TimeLine’s Playwrights Collective, launched in 2013 to support Chicago-based playwrights in residence and create new work centered on TimeLine’s mission. Campaigns, Inc. is the third play developed through the Collective to receive a full production, following Brett Neveu’s To Catch a Fish (2018) and Tyla Abercrumbie’s Relentless (TimeLine and Goodman Theatre, 2022). Campaigns, Inc. received its first public reading as part of our inaugural First Draft Playwrights Collective Festival in 2018.

This story of the first Chinese woman to arrive in the United States unearths hidden history with humor and insight, asking us to explore the way we consider both ourselves and others.

Brought to the United States at age 14 from China in 1834 by enterprising American merchants, Afong Moy is put on display so the American public can get its first view of an authentic “Chinese Lady.” Over the course of 55 years, she performs an ethnicity that both defines and challenges her own views of herself, as she witnesses stunning transformations in the American identity. As these dual truths become irreconcilable, Afong must reckon with herself and the history of her new home with startling discovery and personal revelations.

During this piercing and darkly poetic portrait of America as seen through the eyes of a young Chinese woman, “this quiet play steadily deepens in complexity,” wrote The New York Times. “By the end of Mr. Suh’s extraordinary play, we look at Afong and see whole centuries of American history. She’s no longer the Chinese lady. She is us.”

The Chinese Lady was available for remote viewing on demand. Access ended on Sunday, June 19 at 11:59pm.

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