Productions & Events featuring Jared Bellot

Kill Move Paradise closed its theatrical performance run on March 12 due to the COVID-19 pandemic. However, due to the incredible cooperation of artist unions, Dramatists Play Service, and playwright James Ijames, we can now offer a limited number of opportunities to see the show from the comfort of your home, with a week to watch at a time convenient for you, by streaming a previously filmed performance, edited to provide close-ups and full coverage of the staging. If you are a TimeLine Subscriber, you can use your FlexPass admissions as usual for remote viewing. A limited number of remote viewing tickets are also available for the general public.

About Remote Viewing

Described by playwright James Ijames as “an expressionistic buzz saw through the contemporary myth that ‘all lives matter,’” this The New York Times Critic’s Pick play is a powerful and provocative reflection on recent events, illustrating the possibilities of collective transformation and radical acts of joy.

Torn from the world they know without warning, Isa, Daz, Grif, and Tiny discover themselves stuck in a nebulous waiting room in the afterlife. While balancing the reality of their past and the uncertainty of their future, their souls try to find peace from senseless action and hope in the life they left behind.

Inspired by the ever-growing list of slain unarmed black men and women, Kill Move Paradise is a portrait of those lost—not as statistics, but as heroes who deserve to be seen for the splendid beings they are.

A hopeful and moving story of loss, love, and the power of faith.

At the dawn of the millennium in a darkened church in northern Uganda, the daughter of American missionaries and a local teenage girl prepare to exchange vows in a secret, makeshift wedding ceremony. But when the brutality of the war zone around them encroaches on their fragile union, the two are faced with a reality they cannot escape. Confronting the religious and cultural roots of intolerance, Cardboard Piano explores violence and its aftermath, as well as the human capacity for hatred, forgiveness, and love.

Cardboard Piano premiered as a part of the Humana Festival of New American Plays in March 2016. The Louisville Courier-Journal called it “haunting,” writing that “this promising playwright’s story suggests a power in facing the damage done and picking up the pieces to inform each step forward.”

Cardboard Piano includes incidents of stage violence, gunshots, water-based theatrical haze, and flashing lights. If you would like more information, please call the Box Office.

“Leave behind the stranglehold of convention and loosen your corset, you will breathe much better.”

This intimate and humorous story of awakening, equality, and the need for connection was a finalist for the Pulitzer Prize for Drama and a Tony Award nominee for Best Play. It is the 1880s and Thomas Edison’s invention of the electric light has begun to change the fabric of daily life. Inspired by Edison’s discovery, scientist and inventor Dr. Givings experiments with a piece of machinery to treat the increasingly common affliction of female hysteria. When he starts to see a new patient regularly, his wife’s curiosity with the invention and what occurs “in the next room” grows, leading to discoveries of her own. Don’t miss this entertaining night of self-discovery which shows that human connection is not simply a means to an end, but a vital part of life itself.

“If you stick round long enough, the same ideas come round again and again. Wearing a different coloured tie.”

A portrait of a dynamic and provocative woman—the symbol of a nation—as she weathers decades of history and political strife. Every Tuesday afternoon for more than 60 years, Queen Elizabeth II has met with her Prime Ministers in a private audience, a gesture of unity between government and Crown. Through moments of tension, negotiation, war, and unrest, these conversations with political leaders from Winston Churchill to Harold Wilson to Margaret Thatcher have remained a constant across the years. Playwright Peter Morgan re-imagines these meetings, giving us a glimpse at the queen’s role in guiding the circumstances that have shaped Great Britain, and a window into the mystery, compassion and humor of the woman behind the iconic crown.

“We all got sadness. But I like to turn mine into fire, baby. What you do with yours?”

A dynamic and jazz-infused drama about what’s at stake when building a better future. In Detroit’s Black Bottom neighborhood in 1949, a gifted trumpeter and troubled owner of the Paradise jazz nightclub is contemplating a buyout offer for the city’s urban renewal plan. As the inhabitants of the famed but faltering jazz club ponder their options and dream of a better life, they must decide whether to fight to save what’s theirs or risk it all for a chance at redemption.

This latest from Dominique Morisseau’s widely acclaimed cycle of plays about Detroit once again proves why she’s one of America’s most urgent playwrights.

PLEASE NOTE: Peanuts will be consumed onstage during the show, and the production includes scenes of violence, multiple gunshots and strong language, as well as the use of e-cigarettes and haze.

“Do you think girls are smart enough to run a country?” … “Girls are smart. They just aren’t legal.”

Katherine Parr has just been crowned the sixth wife of King Henry VIII. In the process, she’s started an illicit affair, inherited three children, and begun her own political career. Now’s not the time to lose her head. The Last Wife is a bold and contemporary return to Tudor England that confronts issues as relevant today as they were 500 years ago.

The personal and the political collide in this powerful and timely drama—already a hit in New York and London—from one of the country’s most exciting playwrights (“[she] knows the code for getting under our skins” raves The New York Times). A tough, independent woman in Brooklyn is visited by her father, a former revolutionary in the Black liberation movement who seeks to mend their broken relationship. As father and daughter circle one another, old wounds are revealed, generational differences exposed, and blazing truths laid bare. Morisseau’s smart, entertaining and moving story about family, survival and the nature of liberation is “not only dynamic, it’s dynamite” (The New York Times).