Productions & Events featuring Richard Lundy

A powerful and poignant drama about two sisters trying to reconnect after years of separation brought on by the rise of the Nazis.

In New York City in 1946, a daughter and her father, Rose and Mordechai Weiss, have adapted to life as new Americans after escaping Poland before World War II. In their escape, they were forced to leave behind Rose’s sister Lusia and her mother. When Rose and Lusia are reunited, Rose tries to engage with an older sister who, having survived the horrors of war overseas, now seems a stranger. And Lusia—haunted by vivid memories of her past—struggles to connect with a family she barely knows. A Shayna Maidel explores family, faith, and forgiveness inthe pursuit of a better future.

Written in 1984, A SHAYNA MAIDEL was widely produced by America’s leading regional theaters and became a long-running success Off Broadway from 1987 to 1989. The New York Times called the play “a tribute to the sustaining power of family,” the Hartford Journal Inquirer hailed it as “an emotional powerhouse,” and the Atlanta Constitution raved that “anyone who sees it will not soon forget it.” The Chicago Reader underscored the play’s fit with TimeLine’s mission, describing it in a 2002 review as “history as intimate as a snapshot.”

“We all got sadness. But I like to turn mine into fire, baby. What you do with yours?”

A dynamic and jazz-infused drama about what’s at stake when building a better future. In Detroit’s Black Bottom neighborhood in 1949, a gifted trumpeter and troubled owner of the Paradise jazz nightclub is contemplating a buyout offer for the city’s urban renewal plan. As the inhabitants of the famed but faltering jazz club ponder their options and dream of a better life, they must decide whether to fight to save what’s theirs or risk it all for a chance at redemption.

This latest from Dominique Morisseau’s widely acclaimed cycle of plays about Detroit once again proves why she’s one of America’s most urgent playwrights.

PLEASE NOTE: Peanuts will be consumed onstage during the show, and the production includes scenes of violence, multiple gunshots and strong language, as well as the use of e-cigarettes and haze.

“Do you think girls are smart enough to run a country?” … “Girls are smart. They just aren’t legal.”

Katherine Parr has just been crowned the sixth wife of King Henry VIII. In the process, she’s started an illicit affair, inherited three children, and begun her own political career. Now’s not the time to lose her head. The Last Wife is a bold and contemporary return to Tudor England that confronts issues as relevant today as they were 500 years ago.

The personal and the political collide in this powerful and timely drama—already a hit in New York and London—from one of the country’s most exciting playwrights (“[she] knows the code for getting under our skins” raves The New York Times). A tough, independent woman in Brooklyn is visited by her father, a former revolutionary in the Black liberation movement who seeks to mend their broken relationship. As father and daughter circle one another, old wounds are revealed, generational differences exposed, and blazing truths laid bare. Morisseau’s smart, entertaining and moving story about family, survival and the nature of liberation is “not only dynamic, it’s dynamite” (The New York Times).