Productions & Events featuring Josephine Kearns

Boy explores the beauty of finding love, the complexity of gender identity, and the consequences of the choices we make for those we love. In the 1960s, a surgical accident causes a well-intentioned doctor to convince the parents of twin boys to raise one as a girl. Although Adam transitions back to a male identity at age 14, the repercussions of his parents’ choice continue to reverberate as those involved struggle to connect with each other and themselves, stuck between hope for the future and uncertainty about the past.

The story follows Adam as a young adult in the 1980s finding love for the first time, with glimpses of his childhood that provide a window into what it’s like to grow up in an identity that doesn’t fit.

TimeLine brings Chicago its first view of this “insightful, gut-wrenching, and beautiful play” that is “dazzlingly, deliciously alive from start to finish” (Talkin’ Broadway), and that “has both the white hot issue of gender identity and the simple fact that it’s very, very good in its favor” (Huffington Post).

This classic play is about the legacy of the past and the price of life’s choices. In a New York brownstone marked for demolition, two estranged brothers meet to sort through and sell their late father’s belongings—a pile of relics and old furniture buried by a lifetime’s worth of family baggage. What follows is a poignant, intimate, and often heart-wrenching look at the ways we are liberated or trapped by those we love.

Based on the best-selling novel and set in post-war Brooklyn, MY NAME IS ASHER LEV follows the journey of a young Jewish painter torn between his Hasidic upbringing and his desperate need to fulfill his artistic promise. When his genius threatens to destroy his relationship with his parents, young Asher realizes he must make difficult choices between his passion and his faith. This stirring adaptation of a modern classic presents a heartbreaking and triumphant vision of what it means to be an artist at any cost—against the will of family, community and tradition.

MY NAME IS ASHER LEV received its world premiere in January 2009 at the
Arden Theatre in Philadelphia and recently closed a heralded 10-month run Off- Broadway in New York City, receiving the Outer Circle Critics Award for Best New Off-Broadway play. TimeLine’s production is the play’s Chicago premiere.

This powerful drama “changed American theater forever” (The New York Times) and resonates across generations — recently serving as inspiration for the Pulitzer Prize-winning Clybourne Park. An African-American family living in a crowded apartment on Chicago’s South Side during the 1950s believes that a better life is just around the corner. But they are challenged when their plan to buy a home in the Clybourne Park neighborhood is thwarted by racial intolerance. This award-winning play celebrates faith, courage and the human spirit, even as it spotlights divides that still plague Chicago more than 50 years after its premiere.

This spy thriller—named one of the Top 10 plays of 2011 by The New York Times — goes deep inside the secret United States intrigue that powered the Soviet-Afghan War of the 1980s. A CIA operative struggles against conditions on the ground and politics in the halls of Washington to stop the Soviet Army’s destruction of Afghanistan. As alliances shift and the outcome of the Cold War appears to hang in the balance, he and an Afghan warlord find that the only one they can trust is each other. This bold new play unmasks the actions of men behind one of recent history’s greatest events — the repercussions of which still shape our lives.

This sexy, multi-faceted puzzle of a play travels from East to West and across time, exploring provocative themes in both epic scope and human scale. In the 1880s, a Victorian woman visiting Japan is fascinated by a new invention — the camera — that allows people to own images of distant lands they never dreamed they would be able to see. In modern-day Tokyo, a collector navigates shifting relationships in search of physical memories of the past. Along the way we gaze as if through a lens at the mysterious intersection of art and authenticity, where very little is what it appears to be.

TimeLine’s latest world premiere follows extraordinary successes with new works like My Kind of Town, To Master the Artand Hannah and Martin. An American soldier, captured by the enemy in Vietnam and isolated in an underground cell, hears a voice from the other side of his prison wall. Thrust into each other’s lives, the two men are separated by solid ground, divergent backgrounds and opposite worldviews. But over time, they are drawn together as they battle dire conditions, loss of faith, and each other. This emotionally stirring new play affirms the extraordinary power of human connection to forge hope in even the darkest hours.

TimeLine’s 2012-13 season opener is an elegant waltz between past and present, fact and speculation, a mother and daughter, and art and life. One of classical music’s enduring riddles is why Ludwig van Beethoven devoted four years of his diminishing life writing 33 variations of a mediocre waltz. Two hundred years later, a modern-day music scholar is driven to solve the mystery even as her own health and relationship with her daughter crumbles.

The result is an extraordinary new American play — accompanied throughout by a live pianist playing the variations themselves — about passion, parenthood, and the moments of beauty that can transform a life.

Heralded in London and on Broadway, this new play by the Tony Award- winning writer of Billy Elliot is based on a triumphant true story. A group of miners in Northern England taking an art appreciation class start experimenting with painting and soon build an astonishing body of work that makes them the unlikeliest of art world sensations. An arresting and hilarious salute to the power of individual expression and the collective spirit, The Pitmen Painters is a deeply moving and timely look at art, class and politics.

Lee Blessing’s Pulitzer Prize-nominated drama, filled with unexpected humor and extraordinary humanity, is an absorbing, revealing and brilliant debate on the eternal hope and relentless futility of high-stakes politics. Two superpower arms negotiators— one a witty but cynical Russian veteran and the other an idealistic American newcomer — meet informally in the woods after long, frustrating hours at the bargaining table. TimeLine’s production is presented with a twist: The two characters (originally written as two men) are portrayed by TimeLine Company Members Janet Ulrich Brooks and David Parkes.