Productions & Events featuring Janet Ulrich Brooks

This hit production, which recalls the adventure and romance of Julia and Paul Child’s journey of discovery to Paris during the 1950s, is now offered for a limited time via online video streaming.

MORE ABOUT REMOTE VIEWING

From the French bistro where Julia Child fell in love with food, to the kitchen table where she recreated everything learned during cooking class, to a room where Paul was grilled by U.S. agents about alleged Communist contact, To Master the Art is the story of a larger-than-life culinary icon and her remarkable husband as they struggle to find themselves as Americans abroad.

Commissioned by TimeLine in 2008, To Master the Art received its world premiere at TimeLine in 2010, selling out its 8-week run within days and receiving more than 20 rave reviews and five Jeff Award nominations, including New Work and Production. The production was remounted in 2013 at the Broadway Playhouse via the Chicago Commercial Collective, Broadway In Chicago, and producers Brian Loevner and Aurélia F. Cohen. The video that will stream during this remote viewing run was filmed during the 2013 production.

During its two previous Chicago runs, To Master the Art was acclaimed as “an excellent, intimate, foodie-friendly staging, resonant with atmosphere and the kind of classic, cozy, autumnal kitchen ambiance that makes one want to swear off takeout food from this moment forth” by the Chicago Tribune, and “a total delight—funny, touching, charming and as enjoyable as an exquisite meal enjoyed together with good company” by Talkin’ Broadway. And Woditsch’s performance as Julia Child was declared “magnificent” and “a piece of acting not to be missed” (Chicago Tribune) and “so absolutely perfect … that we left the theater discussing the possibility that she is actually a better Julia Child than [Meryl] Streep” (Newcity).

This glorious, raw, and bittersweet look at one of opera’s most formidable talents was the Tony Award winner for Best Play in 1996.

Witness a master class conducted by legendary opera diva Maria Callas. Glamorous and demanding, Callas critiques and regales a new crop of opera’s finest. Both frustrated and amazed by the students thrust before her, she escapes into recollections of the glories and failures of her past, remembering her rise as one of opera’s biggest underdogs. This authentic and musically rich Master Class presents a portrait of a fading star who refuses to be anything but unapologetically herself.

TimeLine’s production stars Company Member Janet Ulrich Brooks, a six-time Jeff Award nominee for roles at TimeLine (including 33 Variations, A Walk in the Woods, and All My Sons), where she mostly recently appeared last season as Queen Elizabeth II in The Audience.

“If you stick round long enough, the same ideas come round again and again. Wearing a different coloured tie.”

A portrait of a dynamic and provocative woman—the symbol of a nation—as she weathers decades of history and political strife. Every Tuesday afternoon for more than 60 years, Queen Elizabeth II has met with her Prime Ministers in a private audience, a gesture of unity between government and Crown. Through moments of tension, negotiation, war, and unrest, these conversations with political leaders from Winston Churchill to Harold Wilson to Margaret Thatcher have remained a constant across the years. Playwright Peter Morgan re-imagines these meetings, giving us a glimpse at the queen’s role in guiding the circumstances that have shaped Great Britain, and a window into the mystery, compassion and humor of the woman behind the iconic crown.

“Miracles happen. Don’t they?”

A provocative and hilarious look at what makes art—and people—authentic. Maude has bought the ugliest thrift store painting she could get her hands on as a gag gift. When she’s told it might be an undiscovered work by the famed Jackson Pollock, she invites a world-class art expert to decide if it’s a forgery or the real thing, worth millions.

Inspired by a true story and set to feature TimeLine Company Member Janet Ulrich Brooks and TimeLine Associate Artist Mike Nussbaum in the two-person cast, Bakersfield Mist is “a perfect marriage of emotion and ideas that is rare indeed” (Los Angeles Times).

Richard Nelson’s celebrated series of four Apple Family Plays—first commissioned by The Public Theatre in New York where they premiered on the day they are set—explores politics, change, and family dynamics. TimeLine presents the Chicago debut of two of these remarkable works (the first and third in the series) on an alternating schedule.

Set in the American town of Rhinebeck, New York, That Hopey Changey Thing takes place as the polls close on the 2010 mid-term elections, and Sorry is set on the morning of the presidential election in 2012. Both explore how a family sorts through personal and political feelings of loss and confusion in the shadow of history as it is being made.

TimeLine’s 2012-13 season opener is an elegant waltz between past and present, fact and speculation, a mother and daughter, and art and life. One of classical music’s enduring riddles is why Ludwig van Beethoven devoted four years of his diminishing life writing 33 variations of a mediocre waltz. Two hundred years later, a modern-day music scholar is driven to solve the mystery even as her own health and relationship with her daughter crumbles.

The result is an extraordinary new American play — accompanied throughout by a live pianist playing the variations themselves — about passion, parenthood, and the moments of beauty that can transform a life.

Lee Blessing’s Pulitzer Prize-nominated drama, filled with unexpected humor and extraordinary humanity, is an absorbing, revealing and brilliant debate on the eternal hope and relentless futility of high-stakes politics. Two superpower arms negotiators— one a witty but cynical Russian veteran and the other an idealistic American newcomer — meet informally in the woods after long, frustrating hours at the bargaining table. TimeLine’s production is presented with a twist: The two characters (originally written as two men) are portrayed by TimeLine Company Members Janet Ulrich Brooks and David Parkes.