Chicago Premiere

November 1 – December 23, 2023

A comedic showdown between truth and fact set in the world of non-fiction publishing.

JIM FINGAL IS AN EAGER YOUNG INTERN at a high-profile magazine hoping to impress his demanding editor-in-chief, Emily Penrose. When assigned the job of fact-checking legendary writer John D’Agata’s essay about the city of Las Vegas, Jim discovers a huge problem: many of the essay’s details were made up. As the publication deadline looms, a battle between truth and fact ensues in a gripping and fast-paced comedic showdown.

Drawing from true events surrounding real-life Jim Fingal’s fact-checking of the John D’Agata essay “What Happens There,” The Lifespan of a Fact has been praised as “a smart and engaging exploration of the nature of truth and the role of the media in society,” (Chicago Tribune) and “a tightly written and expertly crafted play that keeps the audience riveted from start to finish” (The New York Times).

The book on which the play is based, The Lifespan of a Fact, received critical attention from national media including NPRThe New York Times, and The Los Angeles Times. It was subsequently named a “Top 10 Most Crucial Book” by the editors of Slate, a “Best Book of the Year” by The Huffington Post, and an Editor’s Choice by The New York Times Book Review. 

The stage adaptation opened on Broadway in 2018, starring Daniel Radcliffe, Bobby Cannavale, and Cherry Jones.


CONTENT ADVISORY: To learn more about the specific content and themes of this production, please visit our content advisory page.

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May 12 - June 7, 2020 (remote viewing)

This hit production, which recalls the adventure and romance of Julia and Paul Child’s journey of discovery to Paris during the 1950s, is now offered for a limited time via online video streaming.

MORE ABOUT REMOTE VIEWING

From the French bistro where Julia Child fell in love with food, to the kitchen table where she recreated everything learned during cooking class, to a room where Paul was grilled by U.S. agents about alleged Communist contact, To Master the Art is the story of a larger-than-life culinary icon and her remarkable husband as they struggle to find themselves as Americans abroad.

Commissioned by TimeLine in 2008, To Master the Art received its world premiere at TimeLine in 2010, selling out its 8-week run within days and receiving more than 20 rave reviews and five Jeff Award nominations, including New Work and Production. The production was remounted in 2013 at the Broadway Playhouse via the Chicago Commercial Collective, Broadway In Chicago, and producers Brian Loevner and Aurélia F. Cohen. The video that will stream during this remote viewing run was filmed during the 2013 production.

During its two previous Chicago runs, To Master the Art was acclaimed as “an excellent, intimate, foodie-friendly staging, resonant with atmosphere and the kind of classic, cozy, autumnal kitchen ambiance that makes one want to swear off takeout food from this moment forth” by the Chicago Tribune, and “a total delight—funny, touching, charming and as enjoyable as an exquisite meal enjoyed together with good company” by Talkin’ Broadway. And Woditsch’s performance as Julia Child was declared “magnificent” and “a piece of acting not to be missed” (Chicago Tribune) and “so absolutely perfect … that we left the theater discussing the possibility that she is actually a better Julia Child than [Meryl] Streep” (Newcity).

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Chicago Premiere

September 10 - October 20, 2019

“A riveting political thriller.”
— Associated Press

Don’t miss TimeLine’s Chicago premiere of the 2017 Tony Award® winner for Best Play—a remarkable story about the unlikely friendships, quiet heroics, and sheer determination that pushed two foes to reach something neither thought truly possible—peace.

When the Israeli prime minister and the chairman of the Palestine Liberation Organization shook hands on the White House lawn in 1993, the world had no idea what it took to orchestrate that momentous occasion. Behind the scenes, a Norwegian diplomat and her social scientist husband hatched an intricate, top secret, and sometimes comical scheme to gather an unexpected assortment of players at an idyllic estate just outside Oslo. Far from any international glare, mortal enemies were able to face each other not as adversaries, but as fellow human beings.

J.T. Roger’s’ Oslo is a humorous, surprising, and inspiring true story about the people inside politics, and the incredible progress that is possible when we focus on what makes us human—together.

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Chicago Premiere

Jan 11, 2017 - Apr 9, 2017

TimeLine presents a new and rare staging of this exquisite, internationally acclaimed play about love, math, and how the past and future connect. In 1913, a clerk in rural India named Srinivasa Ramanujan sends a letter to famed mathematician G.H. Hardy, filled with astonishing mathematical theorems. In the present, a math professor and a businessman fall in love. Told in a mesmerizing whirlwind of vignettes spanning history and time, A Disappearing Number is a love letter to numbers, blending the beauty of everyday relationships with the mysticism of the cosmos.

Winner of the 2007 Critics’ Circle Theatre, Evening Standard, and Laurence Olivier awards for Best New Play.

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The Apple Family Plays
That Hopey Changey Thing and Sorry

Chicago Premieres

Jan 13, 2015 - Apr 19, 2015

Richard Nelson’s celebrated series of four Apple Family Plays—first commissioned by The Public Theatre in New York where they premiered on the day they are set—explores politics, change, and family dynamics. TimeLine presents the Chicago debut of two of these remarkable works (the first and third in the series) on an alternating schedule.

Set in the American town of Rhinebeck, New York, That Hopey Changey Thing takes place as the polls close on the 2010 mid-term elections, and Sorry is set on the morning of the presidential election in 2012. Both explore how a family sorts through personal and political feelings of loss and confusion in the shadow of history as it is being made.

33 Variations

Chicago Premiere

Aug 24, 2012 - Oct 21, 2012

TimeLine’s 2012-13 season opener is an elegant waltz between past and present, fact and speculation, a mother and daughter, and art and life. One of classical music’s enduring riddles is why Ludwig van Beethoven devoted four years of his diminishing life writing 33 variations of a mediocre waltz. Two hundred years later, a modern-day music scholar is driven to solve the mystery even as her own health and relationship with her daughter crumbles.

The result is an extraordinary new American play — accompanied throughout by a live pianist playing the variations themselves — about passion, parenthood, and the moments of beauty that can transform a life.

To Master the Art

World Premiere

Oct 26, 2010 - Dec 19, 2010

Commissioned by TimeLine in 2008, this world premiere recalls the adventure and romance of Julia and Paul Child’s journey of discovery to Paris during the 1950s. From the bistro where Julia fell in love with food, to the kitchen table where she recreated everything learned during cooking class, to a room where Paul was grilled by U.S. agents about alleged Communist contact, this is the story of a larger-than-life culinary icon and her remarkable husband as they struggle to find themselves as Americans abroad.

All My Sons

Aug 27, 2009 - Oct 4, 2009

A landmark classic from the legendary author of Death of a Salesman and The Crucible, this 1947 Tony Award winner for Best Play returns to the Chicago stage for the first time since an acclaimed Broadway revival last season. In the wake of World War II, a middle-class American family struggles with loss, love and an explosive secret from the past in this powerful drama about business ethics and responsibility.

Weekend

Chicago Premiere

Aug 20, 2008 - Oct 12, 2008

Written and set during the 1968 presidential campaign, Weekend is a witty comedy about a Republican Senator who is about to announce his candidacy for his party’s nomination when his son arrives with shocking — and potentially politically damaging — news. Prejudice, blackmail, self-righteousness and opportunism become a potent mix as the candidate and his handlers conspire with well-calculated maneuvers to save the day.

Harmless

World Premiere

Jan 16, 2007 - Mar 18, 2007

One of the most acclaimed playwrights to emerge in Chicago in the last decade, Brett Neveu has a reputation for blistering dialogue, complex characters and haunting stories. Described as a “master at establishing mood” (Chicago Sun-Times) and “perhaps the city’s closest equivalent to a young [David] Mamet” (Chicago Tribune), with Harmless, he delivers a gripping three-character drama about a crisis unfolding on a small Midwestern college campus.

A creative writing professor is called to the office of the college president for questioning. What has been going on in his classroom to provoke a growing controversy and attract the attention of the United States military? Is there a real threat, or is it imagined?

Martin Furey's Shot

World Premiere

May 3, 2005 - Jun 19, 2005

Written by veteran Chicago actor Maureen Gallagher, MARTIN FUREY’S SHOT takes us into the life and work of a photojournalist as he moves between his home in Chicago and the violence of the war zones he covers. Martin tries to balance the horrors he has seen in Bosnia, Northern Ireland, and pre-election South Africa with the normalcy he is expected to return to with his family and girlfriend. With his fellow photographers, Martin captures the struggles and dreams of a nation awaiting Nelson Mandela even as his own life falls apart.

It's All True

Chicago Premiere

Apr 27, 2004 - Jun 6, 2004

Art and politics collide when the government’s Works Progress Administration shuts down director Orson Welles’ new pro-union musical THE CRADLE WILL ROCK in 1937. With the theatre doors padlocked, the cast and company must work frantically to make sure their voices are heard. This fast-paced and brilliantly witty comedy brings to life a defining moment in the history of American theatre.

Halcyon Days

Feb 5, 2002 - Mar 17, 2002

In 1983, the world’s most powerful nation – the United States – invaded the smallest country in the Western Hemisphere – Granada. This cunning and dark comedy takes us behind the scenes of this bizarre moment in history to the speechwriters spinning furiously to win America’s first “public relations” war. William Brown, who won the Jeff Citation for Direction for TimeLine’s smash hit Not About Nightingales returns with this comic excursion into power, ideals and American politics.

February 9 – March 24, 2002

The Seagull

May 5, 2001 - Jun 3, 2001

Despite the dark subject matters in his plays, Chekhov was a writer of comedies, not dramas. His plays were meant to be satires of the Russian experience. In writing for the turn of the century Russian audience, THE SEAGULL remains peppered with what could be called inside jokes. Chekhov hoped to show his people that as much as they complained about their unhappiness they were just as much the cause of it.

This intriguing story is presented by two of the greatest minds the theatre has ever known, Anton Chekhov and Tom Stoppard. The collaboration spans generations and produces a gem of a play.

Not About Nightingales

Midwest Premiere

Oct 17, 2000 - Dec 3, 2000

Gaslight

Oct 19, 1999 - Nov 21, 1999

No End of Blame

Feb 18, 1999 - Mar 28, 1999

Summit Conference

Apr 16, 1998 - May 24, 1998