Productions & Events featuring Miranda Anderson

TimeLine presents the Chicago premiere production of the 2022 Tony Award winner for Best Play!

Told in three parts over one evening, The Lehman Trilogy is the quintessential story of western capitalism, rendered through the lens of a single immigrant family. On a cold September morning in 1844, a young Jewish man from Bavaria stands on a New York dockside dreaming of a new life in the new world. He is soon joined by his two brothers, and an American epic begins. 163 years later, the firm they establish—Lehman Brothers—spectacularly collapses into bankruptcy, triggering the largest financial crisis in history. Weaving together nearly two centuries of family history, this theatrical event charts the humble beginnings, outrageous successes, and devastating failure of the financial institution that would ultimately bring the global economy to its knees.

Throughout its production history, The Lehman Trilogy has been met with extraordinary international acclaim. The Guardian proclaimed the original production “a kaleidoscopic social and political metaphor” and “an intimate epic about the shifting definition of the American Dream.” The Chicago Tribune praised it as “a masterwork” and The New York Times as “a vivid tale of profit and pain.” Vanity Fair raved that it is “true blockbuster theatre that will hold you captive until the final curtain call,” with Time Out New York saying “it leaves you dazzled.” And the Wall Street Journal declared that The Lehman Trilogy “surpasses all praise.”

The Lehman Trilogy is supported in part by Richard and Diane Weinberg

Single tickets to The Lehman Trilogy are only available through Broadway In Chicago. Please visit their website to purchase.

A digital lottery for a limited number of $25 seats will be held for every performance of The Lehman Trilogy. Seat locations and the number of tickets awarded by the lottery are always subject to availability. Click here for details and to enter.

CONTENT ADVISORY: To learn more about the specific content and themes of this production, please visit our content advisory page.

The first Chicago-based production of the Tony Award-nominated Pulitzer Prize finalist!

Fifteen-year-old Heidi earned her college tuition by winning Constitutional debate competitions across the United States. In this hilarious, hopeful, and guttingly human debate-meets-play, she resurrects her teenage self in order to trace the relationship between four generations of women—all while grappling with the founding document that, for better and worse, shapes their lives.

What the Constitution Means to Me is a “slyly crafted piece of persuasion and a tangible contribution to the change it seeks” (The New York Times) and a “singularly charming, politically urgent and cathartically necessary play” (Los Angeles Times) that shows “how broad concepts of law and governance effect individual lives in the most intimate ways” (The Guardian). 

A sensation upon its premiere at New York Theatre Workshop in 2018, What the Constitution Means to Me went on to a five-month Broadway run. TimeOut New York declared: “Here is something that every citizen must see. It’s theater in the old sense, the Greek sense, a place where civic society can come together and do its thinking and fixing and planning.”

Today, What the Constitution Means to Me is bound to feel even more relevant, profound, and searing than during its original run and Broadway debut. In the end, Shreck’s personal stories reflect our own, as does her passion, her laughter, and her outrage at a document that deserves to be challenged as much as it is upheld.

“Here is something that every citizen must see”

HEALTH AND SAFETY: TimeLine is currently requiring mask-wearing at all Thursday evening, Sunday matinee, and Distanced Seating performances of What the Constitution Means to Me. While masking is no longer required at most performances, TimeLine will support an individual’s choice to mask. For more information, please visit our Health & Safety policies.

CONTENT ADVISORY: To learn more about the specific content and themes of this production, please visit our content advisory page.

What the Constitution Means to Me runs approximately 1 hour, 40 minutes with no intermission

A cutting yet humorous behind-the-curtain drama that examines pervasive racial dynamics within the American theatre and the tolls of superficial representation on stage.

ACCLAIMED BY THE NEW YORK TIMES as “a rich, unsettling play that lives up to its title [and] lingers in one’s memory long after its conclusion.”

At a Broadway theater in New York City in the mid-1950s, a group of actors has gathered for their first day rehearsing a new play called Chaos in Belleville, an anti-lynching Southern drama. But as the cast rehearses, tensions flare between Wiletta, the Black actress in the starring role, and her white director about his interpretation of the play. What emerges is an explosive investigation of interracial politics and the need for a cultural shift in theatre and America.

Written by Alice Childress—the first Black woman to have a play professionally produced in New York City—Trouble in Mind recently enjoyed an acclaimed Broadway production nominated for four 2022 Tony Awards, including Best Revival of a Play. The critics raved that this “masterpiece of astonishing power” (New York Magazine) is “the play of the moment” (The New York Times) and “will take your breath away” (Associated Press).

PLEASE NOTE: TimeLine is currently requiring mask-wearing to attend. These protocols are subject to change as the pandemic evolves. For the most updated information about TimeLine’s Health & Safety policies, click here …

Trouble in Mind runs 2 hours, 15 minutes including one intermission

Based on the true story of Leone Baxter and Clem Whitaker, who formed the first political consulting firm in U.S. history, Campaigns, Inc. is a hysterical and jaw-dropping inside look at the underbelly of politics through the lens of two of the undeniable founders of “fake news.”

IT IS 1934, and famous novelist Upton Sinclair is all but guaranteed to become the first Democratic governor of the state of California—until a young, unknown pair of consultants from the shadows of the challenger’s campaign attempt to take him down. As Frank Merriam and Sinclair battle it out in the spotlight—seeking endorsements from the likes of Charlie Chaplin and FDR—Baxter and Whitaker work behind-the-scenes to methodically construct one of the most spectacular, unbelievable, and star-studded smear campaigns ever.

This world premiere play was developed through TimeLine’s Playwrights Collective, launched in 2013 to support Chicago-based playwrights in residence and create new work centered on TimeLine’s mission. Campaigns, Inc. is the third play developed through the Collective to receive a full production, following Brett Neveu’s To Catch a Fish (2018) and Tyla Abercrumbie’s Relentless (TimeLine and Goodman Theatre, 2022). Campaigns, Inc. received its first public reading as part of our inaugural First Draft Playwrights Collective Festival in 2018.

Relentless is now playing at Goodman Theatre! Learn more …

In this world premiere play developed through TimeLine’s Playwrights Collective, Tyla Abercrumbie weaves a mother’s past with her daughters’ present in a centuries-spanning tale of family, legacy, and progress.

Set in the Black Victorian era, Relentless looks at the deep personal secrets we keep to protect the ones we love most. The year is 1919. After the death of their mother, two sisters come home to Philadelphia to settle her estate. Annelle is a happy socialite desperate to return to the safe illusion of a perfect life with her husband in Boston. Janet is a single, professional nurse, determined to change history and propel Black women to a place of prominence and respect. After discovering diaries left by their late mother, they find themselves confronted with a woman they never really knew, exposing buried truths from the past that are chillingly, explosively Relentless.

Relentless is the second play developed through TimeLine’s Playwrights Collective to receive a full production. The play received its first public reading as part of our inaugural First Draft Playwrights Collective Festival in December 2018.

PLEASE NOTE: Proof of vaccination and mask-wearing are required to attend.

MORE ABOUT HEALTH & SAFETY

Kill Move Paradise closed its theatrical performance run on March 12 due to the COVID-19 pandemic. However, due to the incredible cooperation of artist unions, Dramatists Play Service, and playwright James Ijames, we can now offer a limited number of opportunities to see the show from the comfort of your home, with a week to watch at a time convenient for you, by streaming a previously filmed performance, edited to provide close-ups and full coverage of the staging. If you are a TimeLine Subscriber, you can use your FlexPass admissions as usual for remote viewing. A limited number of remote viewing tickets are also available for the general public.

About Remote Viewing

Described by playwright James Ijames as “an expressionistic buzz saw through the contemporary myth that ‘all lives matter,’” this The New York Times Critic’s Pick play is a powerful and provocative reflection on recent events, illustrating the possibilities of collective transformation and radical acts of joy.

Torn from the world they know without warning, Isa, Daz, Grif, and Tiny discover themselves stuck in a nebulous waiting room in the afterlife. While balancing the reality of their past and the uncertainty of their future, their souls try to find peace from senseless action and hope in the life they left behind.

Inspired by the ever-growing list of slain unarmed black men and women, Kill Move Paradise is a portrait of those lost—not as statistics, but as heroes who deserve to be seen for the splendid beings they are.

“Leave behind the stranglehold of convention and loosen your corset, you will breathe much better.”

This intimate and humorous story of awakening, equality, and the need for connection was a finalist for the Pulitzer Prize for Drama and a Tony Award nominee for Best Play. It is the 1880s and Thomas Edison’s invention of the electric light has begun to change the fabric of daily life. Inspired by Edison’s discovery, scientist and inventor Dr. Givings experiments with a piece of machinery to treat the increasingly common affliction of female hysteria. When he starts to see a new patient regularly, his wife’s curiosity with the invention and what occurs “in the next room” grows, leading to discoveries of her own. Don’t miss this entertaining night of self-discovery which shows that human connection is not simply a means to an end, but a vital part of life itself.

“We all got sadness. But I like to turn mine into fire, baby. What you do with yours?”

A dynamic and jazz-infused drama about what’s at stake when building a better future. In Detroit’s Black Bottom neighborhood in 1949, a gifted trumpeter and troubled owner of the Paradise jazz nightclub is contemplating a buyout offer for the city’s urban renewal plan. As the inhabitants of the famed but faltering jazz club ponder their options and dream of a better life, they must decide whether to fight to save what’s theirs or risk it all for a chance at redemption.

This latest from Dominique Morisseau’s widely acclaimed cycle of plays about Detroit once again proves why she’s one of America’s most urgent playwrights.

PLEASE NOTE: Peanuts will be consumed onstage during the show, and the production includes scenes of violence, multiple gunshots and strong language, as well as the use of e-cigarettes and haze.