Our 2026-2027 Season
OUR 30TH ANNIVERSARY AND THE LAUNCH OF A BOLD NEW ERA
We are thrilled to announce TimeLine’s 2026–27 Inaugural Season—the first in our new home at 5035 N. Broadway in Uptown! This long‑awaited milestone season launches a bold new era, inviting audiences to experience our work in a dynamic, state‑of‑the‑art facility designed to enhance artistic possibilities and deepen community engagement for years to come.
Coinciding with our 30th Anniversary, this inaugural season in Uptown showcases four extraordinary productions that span continents, generations, and pivotal historical moments. Together, we invite you to explore today’s social and political issues through the lens of the past, be the very first to experience TimeLine’s new home, and see it for yourself.
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The origin story of the birth control pill and an eye-opening world premiere about science, power, and the women who paid the price for progress.
In the mid‑20th century, a radical dream begins to take shape: a simple pill that would give women full control over their reproductive futures. Championing this groundbreaking idea are feminist activist Margaret Sanger, scientist Gregory Pincus, gynecologist John Rock, and philanthropist Katharine McCormick—visionaries working under intense secrecy amid legal, scientific, and religious roadblocks. Meanwhile, in Puerto Rico, clinical trials place the burden of experimentation on women like Ramona Delgado, whose lives and bodies become entangled in the quest for scientific advancement.
Commissioned and developed by TimeLine and based on the book by Pulitzer Prize-winning author Jonathan Eig (King: A Life), this world premiere brings an untold chapter of global history to the stage, probing urgent questions about consent, sacrifice, and the complicated cost of social change.
The commission and development of The Birth of the Pill was supported in part by the Joseph and Bessie Feinberg Foundation.
The Birth of the Pill runs September – October 2026
A darkly funny exploration of marriage, nostalgia, and the allure—and delusion—of the “perfect” past.
Judy and Johnny are living their dream: the idealized 1950s suburban life. As Judy doubles down on her fully immersive retro domestic fantasy, the seams of their hyper-curated life begin to fray. What begins as a lifestyle choice becomes a revealing—and unsettling—interrogation of gender roles, identity, and what it costs to perform happiness.
A smash hit on the West End and winner of the 2019 Olivier Award for Best New Comedy, Home, I’m Darling is a razor-sharp satire that feels both timely and timeless.
Home, I’m Darling runs November – December 2026
A sweeping, urgent, and deeply human epic about immigration, identity, and carving out a future in America.
In the wake of the Chinese Exclusion Act of 1882, Moon Gyet leaves his village in Taishan, China and travels to America, hoping to build a better life for his family. At San Francisco’s Angel Island immigration station, he enters a labyrinth of interrogation—where every answer, every detail, and every story could mean the difference between entry and deportation.
A 2023 Pulitzer Prize finalist, The Far Country is a strikingly intimate and expansive examination of survival, displacement, and the fragile lineage of memory passed from one generation to the next.
The Far Country runs February – March 2027
A bittersweet, Tony Award–winning musical about friendship, ambition, and the choices that shape a life—told entirely in reverse.
Spanning 20 years and moving backward through time, Merrily We Roll Along traces the unraveling of a once inseparable trio of friends and creative collaborators: composer Franklin Shepard, writer Charley Kringas, and novelist Mary Flynn. Beginning at the height of Franklin’s fame—wealthy, celebrated, and isolated—this innovative musical journeys back to the hopeful early days of their artistic dreams
Featuring some of Stephen Sondheim’s most iconic songs, this cult favorite serves as a resonant capstone to TimeLine’s 30th Anniversary, echoing the company’s own origins as a group of passionate young theatre-makers asking: How did we get to be here?
Merrily We Roll Along received the 2024 Tony Award for Best Revival of a Musical. It first premiered on Broadway in 1981. Featuring orchestrations by Jonathan Tunick, it was originally directed on Broadway by Harold Prince and originally produced on Broadway by Lord Grade, Martin Starger, Robert Fryer, and Harold Prince in association with Ruth Mitchell and Howard Haines.



