Mary Beth Fisher

MARY BETH FISHER made her TimeLine debut in THE NORMAL HEART. Chicago credits include THE GOD OF CARNAGE, THE SEAGULL, ROCK ‘N’ ROLL, FRANK’S HOME, THE CLEAN HOUSE, BOY GETS GIRL and SPINNING INTO BUTTER, among many others (Goodman); DEAD MAN’S CELL PHONE, THE DRESSER and THE MEMORY OF WATER (Steppenwolf); ANGELS IN AMERICA, THREE TALL WOMEN and THE YEAR OF MAGICAL THINKING (Equity Jeff Award – Solo Performance), among others (Court); THE LARAMIE PROJECT, THE LITTLE DOG LAUGHED and THEATRE DISTRICT (About Face); and more at Remy Bumppo, Writers and Chicago Shakespeare. Her New York credits include FRANK’S HOME (Playwrights Horizons); BOY GETS GIRL (Drama League Honoree, Drama Desk and Lucile Lortel award nominations) and THE RADICAL MYSTIQUE (Manhattan Theatre Club); THE NIGHT OF THE IGUANA (Roundabout Theatre); and EXTREMETIES (Westside Arts). Mary Beth has worked in regional theatres all over the country and her TV/film credits include CHICAGO FIRE, CHICAGO CODE, WITHOUT A TRACE, NUMB3RS, PRISON BREAK, NYPD BLUE, PROFILER, DRAGONFLY and TRAUMA.

Member of Actors' Equity Association