Now Playing
November 8 – December 8, 2024
Runs approximately 2 hours 45 minutes, including one intermission
- Nick Bowling ~ + Director
- William Finn Music, Lyrics, and Book
- James Lapine Book
- William Carlos Angulo Movement Director
- Otto Vogel Music Director, Conductor
Cast
- Eli Vander Griend Jason (alternating)
- Jackson Evans * Mendel
- Sharriese Hamilton * Dr. Charlotte
- Elizabeth Stenholt Cordelia
Production Team
- Maggie Fullilove-Nugent Lighting Designer
- Batsmoke Entertainment Roller Skating Instruction
- Amanda Blanco Floor Manager
- Deborah Blumenthal Production Dramaturg
- Alek Boggio Percussion
- Emily Brown Assistant Lighting Supervisor
- Christine Burquest A2
- Eva Butcher Bassoon
- Harper Caruso Synthesizer
- Sophie Creutz Flute, Clarinet, Alto Sax
- Josiah Croegaert Lighting Designer
- Maddie Curtin Young Performer Supervisor
- Lucy Elkin Assistant Costume Designer
- Stephanie Farina Sound Designer
- Sammi Grant Vocal and Dialect Consultant
- Theresa Ham # Costume Designer
- Katrina Herrmann * Assistant Stage Manager
- Lauren M. Nichols Associate Scenic Designer
- Kate Ocker * Production Stage Manager
- Sarah Ramos Sound Designer
- Arnel Sancianco # Scenic Designer
- Molly Sharfstein Assistant Dramaturg
- Myesha-Tiara Assistant Director
- Sebastian Van Horn Wardrobe Technician/Deck Crew
- Sheryl Williams Culture and Consent Consultant
Understudies
- Jodi Gage Trina
- Dan Gold Marvin/Dance Captain
- Natalie Renee Savoy Cordelia, Dr. Charlotte
- Sam Shankman Mendel
- Josh Pablo Szabo Whizzer
* Member of Actors Equity Association
# Member of United Scenic Artists
~ Member of Stage Directors and Choreographers Society
+ TimeLine Company Member
^ TimeLine Associate Artist
§ TimeLine Playwrights Collective
Features
-
Windy City Times
November 1, 2024
[Director Nick] Bowling says Falsettos overlaps the missions of both companies. For TimeLine, there’s the historical cultural moments depicted in the musical. And Bowling adds that with Falsettos, Court Theatre is exploring “the classic gay canon” of theater literature that treats the gay protagonist “as a leading man who is incredibly flawed.” It’s a contrast to gay men typically being depicted as a token comic sidekick or traumatized victim in most mainstream media during the 1980s and ’90s.
—Scott Morgan
Discussions & Events
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FALSETTOS: Post-Show Discussion with James Lapine
Thursday, November 14 Read More -
FALSETTOS: Virtual Discussion with Cast Members
Tuesday, November 19 at 7pm Read More -
Exploring History's Ripples: The '70s Sexual Revolution, the AIDS Crisis, and Today's LGBTQIA+ Community
Sunday, November 24 at 4:45pm Read More