Let's talk Constitution! In conversation with Helen Young and Beth Lacke
...that’s pretty powerful to work together, to struggle. The example of your family is so mind blowing to me, that’s so— BL: I know! It was mind blowing to me...
...grow. William Carlos Angulo [Choreographer] (WCA): I was most excited by the challenge of the piece. The ideas of the show rely heavily on our ability to enter someone’s mind—to...
...which always helps. This year I have A Raisin in the Sun here, The Mountaintop at Court, Detroit 67 at Northlight Theatre, Seven Guitars back at Court and Trouble In...
...people who’ve responded with “Why that play again?” This hasn’t been a majority response, but I’ve heard it more than expected. Yet when asked, most people have trouble answering when...
...The Chinese Lady and The Lifespan of a Fact; expanded runs for the world premiere of Will Allan’s Campaigns, Inc. (also developed through TimeLine’s Playwrights Collective) and Trouble in Mind;...
...else on your mind. DC: I’m still in tech for Sweet Bird of Youth. PJP: (Laughs) NB: What was exciting is that from the get-go you were very interested in...
...looking around, identifying who in our country most needs help, and voting with their needs in mind. We’re a society and we’re all here to help each other. Voting is...
...same country. — Ned Weeks in Larry Kramer’s “The Normal Heart” With plays that focus on recent history, it is natural to cast your mind back to that time period...
...that. But A Disappearing Number, the mind-bending and altogether entrancing play devised by Simon McBurney and his London-based company Complicite, may be the best temptress I’ve encountered to lure me...
...put in the right place can send an actor in a different direction in their minds (hopefully, the place in my mind). I think the big difference is that as...
