TO MASTER THE ART Online Discussion

Thursday, June 11 at 6pm (CST)

In conjunction with remote view performances of To Master the Art, TimeLine is offering opportunities for anyone who has seen the production to gather via a Zoom online video conference with members of the artistic team in a conversation moderated by dramaturg Maren Robinson.

This discussion is FREE, and will last for one hour.

Participating artists at this discussion (to date) include playwrights William Brown and Doug Frew, plus cast members Jeannie Affelder and Ian Paul Custer.

REGISTRATION IS REQUIRED! Details about how to participate will be shared only with those who register.

Register for this Discussion

May 12 - June 7, 2020 (remote viewing)

This hit production, which recalls the adventure and romance of Julia and Paul Child’s journey of discovery to Paris during the 1950s, is now offered for a limited time via online video streaming.

MORE ABOUT REMOTE VIEWING

From the French bistro where Julia Child fell in love with food, to the kitchen table where she recreated everything learned during cooking class, to a room where Paul was grilled by U.S. agents about alleged Communist contact, To Master the Art is the story of a larger-than-life culinary icon and her remarkable husband as they struggle to find themselves as Americans abroad.

Commissioned by TimeLine in 2008, To Master the Art received its world premiere at TimeLine in 2010, selling out its 8-week run within days and receiving more than 20 rave reviews and five Jeff Award nominations, including New Work and Production. The production was remounted in 2013 at the Broadway Playhouse via the Chicago Commercial Collective, Broadway In Chicago, and producers Brian Loevner and Aurélia F. Cohen. The video that will stream during this remote viewing run was filmed during the 2013 production.

During its two previous Chicago runs, To Master the Art was acclaimed as “an excellent, intimate, foodie-friendly staging, resonant with atmosphere and the kind of classic, cozy, autumnal kitchen ambiance that makes one want to swear off takeout food from this moment forth” by the Chicago Tribune, and “a total delight—funny, touching, charming and as enjoyable as an exquisite meal enjoyed together with good company” by Talkin’ Broadway. And Woditsch’s performance as Julia Child was declared “magnificent” and “a piece of acting not to be missed” (Chicago Tribune) and “so absolutely perfect … that we left the theater discussing the possibility that she is actually a better Julia Child than [Meryl] Streep” (Newcity).

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33 Variations

Chicago Premiere

Aug 24, 2012 - Oct 21, 2012

TimeLine’s 2012-13 season opener is an elegant waltz between past and present, fact and speculation, a mother and daughter, and art and life. One of classical music’s enduring riddles is why Ludwig van Beethoven devoted four years of his diminishing life writing 33 variations of a mediocre waltz. Two hundred years later, a modern-day music scholar is driven to solve the mystery even as her own health and relationship with her daughter crumbles.

The result is an extraordinary new American play — accompanied throughout by a live pianist playing the variations themselves — about passion, parenthood, and the moments of beauty that can transform a life.

To Master the Art

World Premiere

Oct 26, 2010 - Dec 19, 2010

Commissioned by TimeLine in 2008, this world premiere recalls the adventure and romance of Julia and Paul Child’s journey of discovery to Paris during the 1950s. From the bistro where Julia fell in love with food, to the kitchen table where she recreated everything learned during cooking class, to a room where Paul was grilled by U.S. agents about alleged Communist contact, this is the story of a larger-than-life culinary icon and her remarkable husband as they struggle to find themselves as Americans abroad.

Weekend

Chicago Premiere

Aug 20, 2008 - Oct 12, 2008

Written and set during the 1968 presidential campaign, Weekend is a witty comedy about a Republican Senator who is about to announce his candidacy for his party’s nomination when his son arrives with shocking — and potentially politically damaging — news. Prejudice, blackmail, self-righteousness and opportunism become a potent mix as the candidate and his handlers conspire with well-calculated maneuvers to save the day.