33 Variations

Chicago Premiere

Aug 24, 2012 - Oct 21, 2012

TimeLine’s 2012-13 season opener is an elegant waltz between past and present, fact and speculation, a mother and daughter, and art and life. One of classical music’s enduring riddles is why Ludwig van Beethoven devoted four years of his diminishing life writing 33 variations of a mediocre waltz. Two hundred years later, a modern-day music scholar is driven to solve the mystery even as her own health and relationship with her daughter crumbles.

The result is an extraordinary new American play — accompanied throughout by a live pianist playing the variations themselves — about passion, parenthood, and the moments of beauty that can transform a life.

The History Boys

Chicago Premiere

Apr 22, 2009 - Oct 19, 2009

The recipient of more than 30 major awards, including Tony and Olivier awards for Best New Play, The History Boys follows a rambunctious group of clever young men as they pursue higher learning, games, sexual identity and a place at university under the guidance of three wildly different teachers and a headmaster obsessed with results. Set during the 1980s in northern England, it is a hilarious and provocative play about the anarchy of adolescence and the purpose of education — specifically, how history should be taught.

The History Boys premiered in London at the National Theatre’s Lyttelton Theatre in May 2004. It played to sell-out audiences for an extended run before touring to Hong Kong, New Zealand and Sydney, Australia in 2006. The play premiered on Broadway in April 2006 and received six Tony Awards. It has also been adapted into a feature film.

It's All True

Chicago Premiere

Apr 27, 2004 - Jun 6, 2004

Art and politics collide when the government’s Works Progress Administration shuts down director Orson Welles’ new pro-union musical THE CRADLE WILL ROCK in 1937. With the theatre doors padlocked, the cast and company must work frantically to make sure their voices are heard. This fast-paced and brilliantly witty comedy brings to life a defining moment in the history of American theatre.

Hauptmann

Feb 4, 2003 - Mar 23, 2003

Facing a nation that has already decided his guilt, Richard Hauptmann insists he is innocent of the Lindbergh baby kidnapping. His case is simple: Public pressure forced investigators to pin the “Crime of the Century” on this naïve illegal immigrant. John Logan’s explosive and highly theatrical drama reveals the birth of media frenzy and the execution of a potentially innocent man.