...David Frost.” When I first heard that TimeLine would be producing the Chicago premiere of Frost/Nixon, I thought it was another great triumph for the small theatre company I have...
...decided that we would start our interview. As PJ and Janet Ulrich Brooks, also a Company member, prepared themselves for the questions, Juliet suddenly opened the door and looked straight...
...that follow – Frost and company charging ahead during the Watergate interviews and Nixon’s subsequent downfall. Saturday and Sunday were spent putting the show on its feet and, amazingly enough,...
...Adam’s gender. And hopefully, in so doing, will also also come face-to-face with their own assumptions and questions. This, ultimately, is the strength of this play. It shows Adam and...
...ground-breaking, and personal. Between early 2013 and December 2016, we met monthly to share research, interview guests, read scenes, ask questions, offer feedback, and eventually hear a first draft of...
...apart—tackle many of the questions that lie within TimeLine’s mission of exploring history. What is the difference between then and now? How and why have we evolved to where we...
...answering the questions was a way for Lou and Artistic Director PJ Powers to observe them. “Lou and PJ were really looking hard at us. Talking and answering questions about...
...out her throat. Up to that point, I was a completely nice and helpful guy. Completely out of the blue. 3 — What has been your favorite moment working on...
...dress shoes, I stood in front of the call board and took the news as best as I could. I tried to hide my disappointment, shuffling my feet to “home”...
...me. Their questions, their aches, the long silences that filled up with the weight of an entire country. I thought: This is how theatre can change us. For the first...
