EVA BRENEMAN has worked on more than 30 TimeLine productions, including MASTER CLASS, IN THE NEXT ROOM OR THE VIBRATOR PLAY, A DISAPPEARING NUMBER, CHIMERICA, INANA, DANNY CASOLARO DIED FOR YOU, JUNO, THE NORMAL HEART and BLOOD AND GIFTS, among many others.  She recalls the brilliance of HAPPY BREED, her first show at TimeLine, and the respect for the behind-the-scenes artists.  She is inspired by TimeLine’s commitment to artistry and the community.

She has worked around Chicago on numerous productions, including TO MASTER THE ART (Broadway Playhouse), ONE MAN TWO GUVNORS (Court), ARCADIA (Writers), BLOOD WEDDING (Lookingglass), 2666 (Goodman), A SPLINTERED SOUL (Chicago Commercial Collective), IN THE HEAT OF THE NIGHT (Shattered Globe), THE COMPASS (Steppenwolf) and Tug of War (Chicago Shakespeare). Regional credits include A STREETCAR NAMED DESIRE and THE ISLAND (American Repertory Theatre), LOVE’S LABOUR’S LOST (Actor’s Theatre of Louisville), AROUND THE WORLD IN 80 DAYS (Centerstage Baltimore and Kansas City Repertory) and MAMMA MIA! (National Tour and Las Vegas). Television credits include BETRAYAL, THE CHICAGO CODE and THE BEAST. Eva is also a Production Affiliate of Lookingglass.

Eva was born in New Mexico, but has lived in Hawaii, Singapore, Australia, Florida, New York, London and Chicago. She holds a BFA degree in Acting:  New York University’s Tisch School of the Arts, Stella Adler Conservatory, NY; MA degree in Voice and Speech: The Royal Central School of Speech and Drama, London, UK.

An intense collaborative process

A Disappearing Number calls for projections, mathematics on stage, live music, Indian dance, time travel, altered sound and a set that magically transforms itself. When first created by Complicite, the play was devised collaboratively, and …

Read More