Chicago Premiere

January 10 – March 18, 2018

Boy explores the beauty of finding love, the complexity of gender identity, and the consequences of the choices we make for those we love. In the 1960s, a surgical accident causes a well-intentioned doctor to convince the parents of twin boys to raise one as a girl. Although Adam transitions back to a male identity at age 14, the repercussions of his parents’ choice continue to reverberate as those involved struggle to connect with each other and themselves, stuck between hope for the future and uncertainty about the past.

The story follows Adam as a young adult in the 1980s finding love for the first time, with glimpses of his childhood that provide a window into what it’s like to grow up in an identity that doesn’t fit.

TimeLine brings Chicago its first view of this “insightful, gut-wrenching, and beautiful play” that is “dazzlingly, deliciously alive from start to finish” (Talkin’ Broadway), and that “has both the white hot issue of gender identity and the simple fact that it’s very, very good in its favor” (Huffington Post).

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Chicago Premiere

August 19 - October 15, 2016

“Miracles happen. Don’t they?”

A provocative and hilarious look at what makes art—and people—authentic. Maude has bought the ugliest thrift store painting she could get her hands on as a gag gift. When she’s told it might be an undiscovered work by the famed Jackson Pollock, she invites a world-class art expert to decide if it’s a forgery or the real thing, worth millions.

Inspired by a true story and set to feature TimeLine Company Member Janet Ulrich Brooks and TimeLine Associate Artist Mike Nussbaum in the two-person cast, Bakersfield Mist is “a perfect marriage of emotion and ideas that is rare indeed” (Los Angeles Times).

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Sunset Baby

Midwest Premiere

Jan 13, 2016 - Apr 10, 2016

The personal and the political collide in this powerful and timely drama—already a hit in New York and London—from one of the country’s most exciting playwrights (“[she] knows the code for getting under our skins” raves The New York Times). A tough, independent woman in Brooklyn is visited by her father, a former revolutionary in the Black liberation movement who seeks to mend their broken relationship. As father and daughter circle one another, old wounds are revealed, generational differences exposed, and blazing truths laid bare. Morisseau’s smart, entertaining and moving story about family, survival and the nature of liberation is “not only dynamic, it’s dynamite” (The New York Times).