Productions & Events featuring Katie Cordts

Based on the true story of Leone Baxter and Clem Whitaker, who formed the first political consulting firm in U.S. history, Campaigns, Inc. is a hysterical and jaw-dropping inside look at the underbelly of politics through the lens of two of the undeniable founders of “fake news.”

IT IS 1934, and famous novelist Upton Sinclair is all but guaranteed to become the first Democratic governor of the state of California—until a young, unknown pair of consultants from the shadows of the challenger’s campaign attempt to take him down. As Frank Merriam and Sinclair battle it out in the spotlight—seeking endorsements from the likes of Charlie Chaplin and FDR—Baxter and Whitaker work behind-the-scenes to methodically construct one of the most spectacular, unbelievable, and star-studded smear campaigns ever.

This world premiere play was developed through TimeLine’s Playwrights Collective, launched in 2013 to support Chicago-based playwrights in residence and create new work centered on TimeLine’s mission. Campaigns, Inc. is the third play developed through the Collective to receive a full production, following Brett Neveu’s To Catch a Fish (2018) and Tyla Abercrumbie’s Relentless (TimeLine and Goodman Theatre, 2022). Campaigns, Inc. received its first public reading as part of our inaugural First Draft Playwrights Collective Festival in 2018.

“A riveting political thriller.”
— Associated Press

Don’t miss TimeLine’s Chicago premiere of the 2017 Tony Award® winner for Best Play—a remarkable story about the unlikely friendships, quiet heroics, and sheer determination that pushed two foes to reach something neither thought truly possible—peace.

When the Israeli prime minister and the chairman of the Palestine Liberation Organization shook hands on the White House lawn in 1993, the world had no idea what it took to orchestrate that momentous occasion. Behind the scenes, a Norwegian diplomat and her social scientist husband hatched an intricate, top secret, and sometimes comical scheme to gather an unexpected assortment of players at an idyllic estate just outside Oslo. Far from any international glare, mortal enemies were able to face each other not as adversaries, but as fellow human beings.

J.T. Roger’s’ Oslo is a humorous, surprising, and inspiring true story about the people inside politics, and the incredible progress that is possible when we focus on what makes us human—together.

A captivating tale about the intersection of family, responsibility, and progress at the height of the Civil Rights Movement.

Bowzie Brandon, his wife Evelyn, and their best friends Tony and Sally-Mae see happiness on the horizon when Bowzie gets a scholarship to attend college and improve his family’s life. However, when the opportunity to become a Freedom Rider arises, Bowzie leaves his obligations as a husband and friend behind to join the fight against racism in the Deep South. TOO HEAVY FOR YOUR POCKET is a powerful look at the tenuous balance between security and risk, the bonds of love and friendship, and the personal cost of progress.

Playwright Jiréh Breon Holder was recently named one of “Tomorrow’s Marquee Names, Now in the Making” by The New York Times. Previously seen at Atlanta’s Alliance Theatre and in an extended Off Broadway run at Roundabout Theatre, TOO HEAVY FOR YOUR POCKET was the recipient of the 2017 Laurents/Hatcher Foundation Award. Hailed “an exceptional work, one that will dive-bomb into your head and your heart” (Talkin’ Broadway) and a story “that examines life on both the margins and at the epicenter of historic change” (Stage Left), this stunning play “brings the early civil rights movement up close and personal” (Deadline).

Runs approximately 2 hours and 30 minutes, including one intermission

This glorious, raw, and bittersweet look at one of opera’s most formidable talents was the Tony Award winner for Best Play in 1996.

Witness a master class conducted by legendary opera diva Maria Callas. Glamorous and demanding, Callas critiques and regales a new crop of opera’s finest. Both frustrated and amazed by the students thrust before her, she escapes into recollections of the glories and failures of her past, remembering her rise as one of opera’s biggest underdogs. This authentic and musically rich Master Class presents a portrait of a fading star who refuses to be anything but unapologetically herself.

TimeLine’s production stars Company Member Janet Ulrich Brooks, a six-time Jeff Award nominee for roles at TimeLine (including 33 Variations, A Walk in the Woods, and All My Sons), where she mostly recently appeared last season as Queen Elizabeth II in The Audience.

“Leave behind the stranglehold of convention and loosen your corset, you will breathe much better.”

This intimate and humorous story of awakening, equality, and the need for connection was a finalist for the Pulitzer Prize for Drama and a Tony Award nominee for Best Play. It is the 1880s and Thomas Edison’s invention of the electric light has begun to change the fabric of daily life. Inspired by Edison’s discovery, scientist and inventor Dr. Givings experiments with a piece of machinery to treat the increasingly common affliction of female hysteria. When he starts to see a new patient regularly, his wife’s curiosity with the invention and what occurs “in the next room” grows, leading to discoveries of her own. Don’t miss this entertaining night of self-discovery which shows that human connection is not simply a means to an end, but a vital part of life itself.

“If you stick round long enough, the same ideas come round again and again. Wearing a different coloured tie.”

A portrait of a dynamic and provocative woman—the symbol of a nation—as she weathers decades of history and political strife. Every Tuesday afternoon for more than 60 years, Queen Elizabeth II has met with her Prime Ministers in a private audience, a gesture of unity between government and Crown. Through moments of tension, negotiation, war, and unrest, these conversations with political leaders from Winston Churchill to Harold Wilson to Margaret Thatcher have remained a constant across the years. Playwright Peter Morgan re-imagines these meetings, giving us a glimpse at the queen’s role in guiding the circumstances that have shaped Great Britain, and a window into the mystery, compassion and humor of the woman behind the iconic crown.