Chicago Premiere

January 31 – March 24, 2024

Witness the powerful stories of 19 individuals fighting to overcome and transform America’s education and criminal justice systems.

THIS STRIKINGLY INTIMATE PIECE presents snapshots from a variety of real people, documenting their intersections with the American dream and the obstacles that work to block them from it. Utilizing verbatim dialogue pulled from more than 250 accounts from students, faculty, prisoners, activists, politicians, and victims’ families, Notes from the Field takes audiences on an emotional journey through the faults and injustices of an American criminal justice system that seems more focused on incarceration over education. Deeply human, profoundly moving, and full of moments of humor, compassion, and resilience, it’s a masterful work that asks you to observe, be present, and join the call for urgent and necessary change.

Originally performed by creator Anna Deavere Smith as a one-woman show, in TimeLine’s Chicago premiere, three actors weave together narratives of change makers, activists, and those caught within the system for an evening of theatre unlike anything you’ve experienced before.


CONTENT ADVISORY: To learn more about the specific content and themes of this production, please visit our content advisory page.


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FIRST DRAFT FESTIVAL: Revenge of the Holy Virgin Martyrs as Told by Hrotsvit of Gandersheim and Her Time Traveling Amanuensis

Saturday, December 4, 2021 at 2pm and Friday, December 10, 2021 at 8pm

Escaping from a toxic work environment and a predatory boss, Jordan takes an impromptu vacation—and accidentally travels back in time to the 10th century. Mistaken for a thief by the canny women who live in a medieval abbey, she joins their efforts to protect themselves from a lecherous local lord and becomes the assistant to Hrotsvit, the first female playwright in the Western canon. A feminist farce about rape culture, faith, and a world without the male gaze.

The cast is still to be announced.

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Chicago Premiere

April 24 - June 29, 2019

A captivating tale about the intersection of family, responsibility, and progress at the height of the Civil Rights Movement.

Bowzie Brandon, his wife Evelyn, and their best friends Tony and Sally-Mae see happiness on the horizon when Bowzie gets a scholarship to attend college and improve his family’s life. However, when the opportunity to become a Freedom Rider arises, Bowzie leaves his obligations as a husband and friend behind to join the fight against racism in the Deep South. TOO HEAVY FOR YOUR POCKET is a powerful look at the tenuous balance between security and risk, the bonds of love and friendship, and the personal cost of progress.

Playwright Jiréh Breon Holder was recently named one of “Tomorrow’s Marquee Names, Now in the Making” by The New York Times. Previously seen at Atlanta’s Alliance Theatre and in an extended Off Broadway run at Roundabout Theatre, TOO HEAVY FOR YOUR POCKET was the recipient of the 2017 Laurents/Hatcher Foundation Award. Hailed “an exceptional work, one that will dive-bomb into your head and your heart” (Talkin’ Broadway) and a story “that examines life on both the margins and at the epicenter of historic change” (Stage Left), this stunning play “brings the early civil rights movement up close and personal” (Deadline).

Runs approximately 2 hours and 30 minutes, including one intermission

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World Premiere

April 25 – July 1, 2018

“Everything in the world, that all just rushing right past you, like you a signpost stuck straight in the ground.”

Inspired by true events, this compelling new play exposes a flawed law enforcement operation that walks the line between good intentions and deceit, testing the bonds of a family and community. In a low-income, residential neighborhood of Milwaukee, Terry Kilbourn has just begun a new job passing out flyers for a discount warehouse. When his bosses start asking more of him, the stakes rise quickly and his loved ones begin to question what is really going on. This play’s vibrant mix of family, romance, and danger swirls with mysteries about who to trust and what to believe. And its story confronts society’s fluid definition of justice—and the truth about who benefits from it.

This world premiere is the first play to be produced that was written and developed through TimeLine’s Playwrights Collective, launched in 2013 to support Chicago-based playwrights in residence and create new work centered on TimeLine’s mission.

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