World Premiere

May 8 – June 29, 2024

A startling look at conflicts of climate change, race, and gender in the days leading up to an infamous dust storm in 1930s Texas.

IT IS APRIL 1935 IN THE DUST STORM-RIDDLED PLAINS OF TEXAS and a family farm is struggling to keep afloat amidst a mounting series of environmental disasters. As Jesús, a new field worker, arrives in their midst, stubborn Pa refuses to believe his land is no longer viable, young Sunny dreams of a new life in bountiful California, and Ma starts having mysterious visions of the future. Developed through TimeLine’s Playwrights Collective, this world premiere by Dolores Díaz offers a startling look at the conflicts surrounding climate change, race, and gender in the days leading up to an infamous dust storm known as Black Sunday.

This world premiere play was developed through TimeLine’s Playwrights Collective—the fourth play developed through the Collective to receive a full production, following Brett Neveu’s To Catch a Fish (2018); Tyla Abercumbie’s Relentless (2022, Jeff Award for Outstanding New Work); and Will Allan’s Campaigns, Inc. (2022). Black Sunday received its first public readings as part of TimeLine’s First Draft Playwrights Collective Festival in December 2021.

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Chicago Premiere

January 31 – March 24, 2024

Witness the powerful stories of 19 individuals fighting to overcome and transform America’s education and criminal justice systems.

THIS STRIKINGLY INTIMATE PIECE presents snapshots from a variety of real people, documenting their intersections with the American dream and the obstacles that work to block them from it. Utilizing verbatim dialogue pulled from more than 250 accounts from students, faculty, prisoners, activists, politicians, and victims’ families, Notes from the Field takes audiences on an emotional journey through the faults and injustices of an American criminal justice system that seems more focused on incarceration over education. Deeply human, profoundly moving, and full of moments of humor, compassion, and resilience, it’s a masterful work that asks you to observe, be present, and join the call for urgent and necessary change.

Originally performed by creator Anna Deavere Smith as a one-woman show, in TimeLine’s Chicago premiere, three actors weave together narratives of change makers, activists, and those caught within the system for an evening of theatre unlike anything you’ve experienced before.


CONTENT ADVISORY: To learn more about the specific content and themes of this production, please visit our content advisory page.


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World Premiere

February 1 – March 19, 2023

An historic night at the Oscars.
A
dream of what could have been.

Set on the night in 1940 that Hattie McDaniel made history at the Oscars, a story of dreamers striving to overcome considerable obstacles and fighting for recognition amidst the racism and inequity of Hollywood.

IT IS FEBRUARY 29, 1940, the night of the Academy Awards in Hollywood, California. Bartender Arthur Brooks, an ambitious Black man from rural Alabama, dreams of becoming a movie director. His best friend, Dottie Hudson, is a maid at the Ambassador Hotel who finds herself to be a cynic of all dreams. When the actress Hattie McDaniel stops in at the bar and decides not to attend the biggest event in show business, Arthur and Dottie do everything in their power to convince her to go and claim her historic win—while confronting their dark past and making their own dreams come to life.

This play about race, class, gender, and the ever-changing landscape of Hollywood has previously had public readings at The Echo Theatre Company (featuring TimeLine Company Member Mildred Marie Langford) and Morgan-Wixson Theatre’s New Works Festival. TimeLine’s production is its world premiere.


Boulevard of Bold Dreams runs 1 hour and 40 minutes with no intermission

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November 2 – December 18, 2022

A cutting yet humorous behind-the-curtain drama that examines pervasive racial dynamics within the American theatre and the tolls of superficial representation on stage.

ACCLAIMED BY THE NEW YORK TIMES as “a rich, unsettling play that lives up to its title [and] lingers in one’s memory long after its conclusion.”

At a Broadway theater in New York City in the mid-1950s, a group of actors has gathered for their first day rehearsing a new play called Chaos in Belleville, an anti-lynching Southern drama. But as the cast rehearses, tensions flare between Wiletta, the Black actress in the starring role, and her white director about his interpretation of the play. What emerges is an explosive investigation of interracial politics and the need for a cultural shift in theatre and America.

Written by Alice Childress—the first Black woman to have a play professionally produced in New York City—Trouble in Mind recently enjoyed an acclaimed Broadway production nominated for four 2022 Tony Awards, including Best Revival of a Play. The critics raved that this “masterpiece of astonishing power” (New York Magazine) is “the play of the moment” (The New York Times) and “will take your breath away” (Associated Press).


PLEASE NOTE: TimeLine is currently requiring mask-wearing to attend. These protocols are subject to change as the pandemic evolves. For the most updated information about TimeLine’s Health & Safety policies, click here …


Trouble in Mind runs 2 hours, 15 minutes including one intermission

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World Premiere

January 21 - February 26, 2022

Relentless is now playing at Goodman Theatre! Learn more …

In this world premiere play developed through TimeLine’s Playwrights Collective, Tyla Abercrumbie weaves a mother’s past with her daughters’ present in a centuries-spanning tale of family, legacy, and progress.

Set in the Black Victorian era, Relentless looks at the deep personal secrets we keep to protect the ones we love most. The year is 1919. After the death of their mother, two sisters come home to Philadelphia to settle her estate. Annelle is a happy socialite desperate to return to the safe illusion of a perfect life with her husband in Boston. Janet is a single, professional nurse, determined to change history and propel Black women to a place of prominence and respect. After discovering diaries left by their late mother, they find themselves confronted with a woman they never really knew, exposing buried truths from the past that are chillingly, explosively Relentless.

Relentless is the second play developed through TimeLine’s Playwrights Collective to receive a full production. The play received its first public reading as part of our inaugural First Draft Playwrights Collective Festival in December 2018.


PLEASE NOTE: Proof of vaccination and mask-wearing are required to attend.

MORE ABOUT HEALTH & SAFETY


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Chicago Premiere

September 10 - October 20, 2019

“A riveting political thriller.”
— Associated Press

Don’t miss TimeLine’s Chicago premiere of the 2017 Tony Award® winner for Best Play—a remarkable story about the unlikely friendships, quiet heroics, and sheer determination that pushed two foes to reach something neither thought truly possible—peace.

When the Israeli prime minister and the chairman of the Palestine Liberation Organization shook hands on the White House lawn in 1993, the world had no idea what it took to orchestrate that momentous occasion. Behind the scenes, a Norwegian diplomat and her social scientist husband hatched an intricate, top secret, and sometimes comical scheme to gather an unexpected assortment of players at an idyllic estate just outside Oslo. Far from any international glare, mortal enemies were able to face each other not as adversaries, but as fellow human beings.

J.T. Roger’s’ Oslo is a humorous, surprising, and inspiring true story about the people inside politics, and the incredible progress that is possible when we focus on what makes us human—together.

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World Premiere

April 25 – July 1, 2018

“Everything in the world, that all just rushing right past you, like you a signpost stuck straight in the ground.”

Inspired by true events, this compelling new play exposes a flawed law enforcement operation that walks the line between good intentions and deceit, testing the bonds of a family and community. In a low-income, residential neighborhood of Milwaukee, Terry Kilbourn has just begun a new job passing out flyers for a discount warehouse. When his bosses start asking more of him, the stakes rise quickly and his loved ones begin to question what is really going on. This play’s vibrant mix of family, romance, and danger swirls with mysteries about who to trust and what to believe. And its story confronts society’s fluid definition of justice—and the truth about who benefits from it.

This world premiere is the first play to be produced that was written and developed through TimeLine’s Playwrights Collective, launched in 2013 to support Chicago-based playwrights in residence and create new work centered on TimeLine’s mission.

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Midwest Premiere

April 26 – July 23, 2017

“We all got sadness. But I like to turn mine into fire, baby. What you do with yours?”

A dynamic and jazz-infused drama about what’s at stake when building a better future. In Detroit’s Black Bottom neighborhood in 1949, a gifted trumpeter and troubled owner of the Paradise jazz nightclub is contemplating a buyout offer for the city’s urban renewal plan. As the inhabitants of the famed but faltering jazz club ponder their options and dream of a better life, they must decide whether to fight to save what’s theirs or risk it all for a chance at redemption.

This latest from Dominique Morisseau’s widely acclaimed cycle of plays about Detroit once again proves why she’s one of America’s most urgent playwrights.

PLEASE NOTE: Peanuts will be consumed onstage during the show, and the production includes scenes of violence, multiple gunshots and strong language, as well as the use of e-cigarettes and haze.

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Chicago Premiere

August 19 - October 15, 2016

“Miracles happen. Don’t they?”

A provocative and hilarious look at what makes art—and people—authentic. Maude has bought the ugliest thrift store painting she could get her hands on as a gag gift. When she’s told it might be an undiscovered work by the famed Jackson Pollock, she invites a world-class art expert to decide if it’s a forgery or the real thing, worth millions.

Inspired by a true story and set to feature TimeLine Company Member Janet Ulrich Brooks and TimeLine Associate Artist Mike Nussbaum in the two-person cast, Bakersfield Mist is “a perfect marriage of emotion and ideas that is rare indeed” (Los Angeles Times).

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Sunset Baby

Midwest Premiere

Jan 13, 2016 - Apr 10, 2016

The personal and the political collide in this powerful and timely drama—already a hit in New York and London—from one of the country’s most exciting playwrights (“[she] knows the code for getting under our skins” raves The New York Times). A tough, independent woman in Brooklyn is visited by her father, a former revolutionary in the Black liberation movement who seeks to mend their broken relationship. As father and daughter circle one another, old wounds are revealed, generational differences exposed, and blazing truths laid bare. Morisseau’s smart, entertaining and moving story about family, survival and the nature of liberation is “not only dynamic, it’s dynamite” (The New York Times).

 

Hannah and Martin (remount)

Aug 24, 2004 - Oct 10, 2004

Jewish political theorist Hannah Arendt is thrown into turmoil when her lover and mentor, the renowned philosopher Martin Heidegger, develops ties to the Nazi party and becomes a vocal supporter of Hitler. After the war, she returns to Germany and must weigh the consequences of forgiving Martin for his actions and question whether or not love can truly conquer all.

Hannah and Martin

World Premiere

Apr 29, 2003 - Jun 1, 2003

Jewish political theorist Hannah Arendt is thrown into turmoil when her lover and mentor, the renowned philosopher Martin Heidegger, develops ties to the Nazi party and becomes a vocal supporter of Hitler. After the war, she returns to Germany and must weigh the consequences of forgiving Martin for his actions and question whether or not love can truly conquer all.

Winner of six Joseph Jefferson Awards.

August 28 – October 10, 2004