...that the sense of community in a rehearsal room would be helpful, we went ahead, a decision that I regretted almost immediately upon showing up, and one that even to...
...think of the play as a contemporary drama with a historic context, rather than a Tudor drama with modern accoutrements. That gives me room to really write a play about...
...Dramaturg Maren Robinson (wearing the red hat) and Beyond the ‘Line class participants during a discussion about “In the Next Room or the vibrator play” in November 2017. From our...
...said to me, here she is [Leone Baxter], this woman that you’re sort of find yourself fighting for because she’s a woman against all the men in the room. She’s...
...about their rooms. ———- Terry Hamilton and Andrew Carter are backstage talking with director Nick Bowling. ———- It is becoming less noisy in the theatre. The actors seems to have...
...chosen interview location, only to discover that the room is locked. I was somewhat embarrassed to leave Don standing in the middle of a hallway until I found another room....
...of the honesty and heartache on stage. Now, in my experience, run-throughs (especially with 3 weeks to go before opening) aren’t always that potent. You’re in a rehearsal room, sitting...
...known to refer to a conference room as “the situation room.” I’ve quoted President Bartlett, Josh and CJ as if they were real people working in The White House. The...
...stirring. “FROST/NIXON. By Peter Morgan. Scene One.” Members of the cast at the first read-through of FROST/NIXON at TimeLine. We are underway and the room falls silent except for the...
...dialogue to create a compact, entertaining play. This “stunted” historical perspective seems not enough for some people in the room and there have been some critical remarks made. The concern...
