...I’m the topic of conversation and controversy and change.” What do you do with that? Playwright, LaDarrion Williams LW: Yeah, it’s that conversation we have in the rehearsal room about...
...the Next Room or the vibrator play, A Disappearing Number, Blood and Gifts, and Inana at TimeLine) and directed a variety of plays at theatres such as 16th Street, Eclipse,...
...stirring. “FROST/NIXON. By Peter Morgan. Scene One.” Members of the cast at the first read-through of FROST/NIXON at TimeLine. We are underway and the room falls silent except for the...
...about their rooms. ———- Terry Hamilton and Andrew Carter are backstage talking with director Nick Bowling. ———- It is becoming less noisy in the theatre. The actors seems to have...
...chosen interview location, only to discover that the room is locked. I was somewhat embarrassed to leave Don standing in the middle of a hallway until I found another room....
...of the honesty and heartache on stage. Now, in my experience, run-throughs (especially with 3 weeks to go before opening) aren’t always that potent. You’re in a rehearsal room, sitting...
...known to refer to a conference room as “the situation room.” I’ve quoted President Bartlett, Josh and CJ as if they were real people working in The White House. The...
...dialogue to create a compact, entertaining play. This “stunted” historical perspective seems not enough for some people in the room and there have been some critical remarks made. The concern...
...today’s court press rooms: Elizabeth Brackett talking about how the journalism industry has changed for women since the all-boys press room of the 1920s depicted in The Front Page: Moderator...
...students and post docs. So there isn’t much room at the top for full professors, and they are motivated to turn out too many junior scientists. I think as women...
