...3-D. Nick: My favorite memory is that we had been talking a lot about creating a play about Ballroom dance (I had done a lot of it in undergrad) and...
...Art. A recent Wednesday night’s rehearsal was (typically) joyful and productive, and it is a thrill to be part of this process. It was a full room: Bill, the director;...
...the rehearsal room, my head swimming with fresh ideas, my heart (or someplace near it) reverberating with the evening’s lessons. Perhaps it was arrogant of me to think that I...
...dressing — making sure that the jukebox looked as much like one that could have played in a South African tea room in 1950 as possible. Sound designer Christopher Kriz...
...rehearsals, the full cast, production team, staff, Company and Board members gathered to get things started. Also in the room: 5 of TimeLine’s summer interns! Read what two of them...
...room to meet. And I do recall it being late-ish in the evening (starting for some reason around 9 pm??). And the whole thing felt like a weird first blind...
...their environment. Summit Conference was a great example of that — using real furniture and real period uniforms/dresses, featherweight scrims that served as projection screens and room dividers, and a...
...others in the production team that are different from some other productions? AN: I’m fortunate to be in the room with an extraordinary team on A Disappearing Number. For starters,...
...of history and political strife, directed by TimeLine Associate Artistic Director Nick Bowling and starring TimeLine Company Member Janet Ulrich Brooks as Queen Elizabeth II; – IN THE NEXT ROOM,...
